in the war of desire and technology at the close of the mechanical age pdf

In the war of desire and technology at the close of the mechanical age pdf

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Face-to-face meetings, and even telephone conversations, involuntarily reveal crucial aspects of identity such as gender, age, and race. However, these bits of identity are completely masked by computer-mediated communications; all that is revealed is what we choose to reveal—and then only if we choose to tell the truth. The rise of computer-mediated communications is giving people the means to try on alternative personae—in a sense, to reinvent themselves—which, as Stone compellingly argues, has both positive and potentially destructive implications. Not a traditional text but rather a series of intellectual provocations, the book moves between fascinating accounts of the modern interface of technology and desire: from busy cyberlabs to the electronic solitude of the Internet, from phone sex to "virtual cross-dressers," and from the trial of a man accused of having raped a woman by seducing one of her multiple personalities to the Vampire Lestat. Throughout, Stone wrestles with the question of how best to convey a complex description of a culture whose chief activity is complex description.

But the amazing growth of our techniques, the adaptability and precision they have attained, the ideas and habits they are creating, make it a certainty that profound changes are impending in the ancient craft of the Beautiful. In all the arts there is a physical component which can no longer be considered or treated as it used to be, which cannot remain unaffected by our modern knowledge and power. For the last twenty years neither matter nor space nor time has been what it was from time immemorial. We must expect great innovations to transform the entire technique of the arts, thereby affecting artistic invention itself and perhaps even bringing about an amazing change in our very notion of art. When Marx undertook his critique of the capitalistic mode of production, this mode was in its infancy. Marx directed his efforts in such a way as to give them prognostic value.

The human subjects researchmodel is increasingly invoked in discussions ofethics for Internet research. Here we seek toquestion the widespread application of thismodel, critiquing it through the two themes ofspace and textual form. Drawing on ourexperience of a previous piece ofresearch, we highlightthe implications of re-considering thetextuality of the Internet in addition to thespatial metaphors that are more commonlydeployed to describe Internet activity. Weargue that the use of spatial metaphors indescriptions of the Internet has shaped theadoption of the human subjects research model. Whilst this model is appropriate in some areasof Internet research such as emailcommunication, we feel that researchers, whennavigating the complex terrain of Internetresearch ethics, need also to consider theInternet as cultural production of texts. This is a preview of subscription content, access via your institution.

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This is a collection of linked essays published by Sandy Stone in Before that, Stone, a transsexual, was attacked by the radical feminist scholar Janice Raymond in a somewhat infamous altercation having to do with the feminist record company Olivia Records. Basically, Raymond accused Stone of not really being a woman and attempting to subvert the spirit of Olivia Records by smuggling in the patriarchy under cover of her female exterior. The War of Desire and Technology at the Close of the Mechanical Age has similarly worn well, even though one of its main subjects—networked computing, aka the Internet—has changed immensely in the 20 years since the book was first published. For instance, Stone references the megabyte hard disks that were state of the art at the time of writing. As a thinker, Stone is fascinated by questions of gender, identity, prostheses, and cybernetics, and she locates foci where these interests intersect in the world of computing.

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The War of Desire and Technology at the Close of the Mechanical Age, Allucquère Rosanne Stone. The MIT Press, Cambridge, MA. pages. ISBN:


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E ach of us has a theory of reality, a concept of the nature of the world which is referred to as our worldview. Our worldview is the cement that holds our culture together; we absorb it by osmosis in the process of acculturation. We are currently in the early stages of a tremendous change in the dominant worldview—a shift in age as large in its implications as the movement from the Middle Ages through the Renaissance to the Machine Age. In order to understand the change we are experiencing we need to look more closely at the philosophies and ideas that have shaped our current view of the world and the shift in thinking that is required as we move from the Machine Age into the Systems Age. To understand the challenges we face requires a historical perspective that traces the evolution of Western thought from the Middle Ages to the present.

A range of inter-disciplinarydiscourses consider the computer-mediatedwriting space as a unique performance mediumwith characteristic protocols. The role of improvisation — and itscross-disciplinary protocols — provides afurther focus in the discussion of computingpractice and performance. This is a preview of subscription content, access via your institution.

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The War of Desire and Technology at the Close of the Mechanical Age

Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read.

2 comments

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