File Name: jerome stolnitz aesthetics and philosophy of art criticism .zip
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Don't have an account? This chapter discusses a tradition, now obscured, that of associated aesthetic pleasure with functionality and related concepts, such as utility. Topics covered include beauty as fitness in classical thought, beauty and function in the 17th and 18th centuries, increasing criticism of the theory of beauty as fitness in the 18th century, and the autonomy of art. Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter. Please, subscribe or login to access full text content.
The term especially refers to a greatness beyond all possibility of calculation, measurement, or imitation. This is thought to have been written in the 1st century AD though its origin and authorship are uncertain. For Longinus, the sublime is an adjective that describes great, elevated, or lofty thought or language, particularly in the context of rhetoric. As such, the sublime inspires awe and veneration, with greater persuasive powers. Longinus' treatise is also notable for referring not only to Greek authors such as Homer , but also to biblical sources such as Genesis.
Henry Moore Artwork Catalogue Bibliography. View PDF. Aesthetics and Philosophy of Art Criticism: a critical introduction. Number Publisher Houghton Mifflin. Place Published Boston.
Post a Comment. Tom Leddy [working draft]. Amis, Elizabeth. Edited by Michael Kelly. Terence Irwin. Indianapolis: Hackett Publishing Co,
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Aesthetics is the subject matter concerning, as a paradigm, fine art, but also the special, art-like status sometimes given to applied arts like architecture or industrial design or to objects in nature. It is hard to say precisely what is shared among this motley crew of objects often referred to as aesthetic objects , but the aesthetic attitude is supposed to go some way toward solving this problem. It is, at the very least, the special point of view we take toward an object that results in our having an aesthetic experience an experience of, for example, beauty, sublimity, or even ugliness. Many aesthetic theories, however, have taken it to play a central role in defining the boundary between aesthetic and non-aesthetic objects. These theories, usually called aesthetic attitude theories, argue that when we take the aesthetic attitude toward an object, we thereby make it an aesthetic object.
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Aesthetics and Philosophy of Art Criticism. Jerome Stolnitz. Manuel Bilsky. Manuel Bilsky. Search for more articles by this author · PDF · Add to favorites.Reply
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