File Name: yenan forum on literature and art .zip
Art is a medium of expression where the individual and culture come together. What happens to the individual artist when culture becomes a tool of the government? How does politics impact art as an expression of the times?
To defeat the enemy we must rely primarily on the army with guns. But this army alone is not enough; we must also have a cultural army, which is absolutely indispensable for uniting our own ranks and defeating the enemy. In other words, reactionaries have money, and though they can produce nothing good, they can go all out and produce in quantity. Literature and art have been an important and successful part of the cultural front since the May 4th Movement. That movement and the revolutionary war both headed in the same general direction, but these two fraternal armies were not linked together in their practical work because the reactionaries had cut them off from each other. It is very good that since the outbreak of the War of Resistance Against Japan, more and more revolutionary writers and artists have been coming to Yenan and our other anti-Japanese base areas. But it does not necessarily follow that, having come to the base areas, they have already integrated themselves completely with the masses of the people here.
We made only some formatting changes to make them congruent with our style sheets. The Kuomintang reactionaries pushed their policy of passivity in the war of resistance but active opposition against the Chinese Communist Party. On the one hand, they sent several hundred thousand troops to encircle and blockade the Liberated Areas, in a vain attempt to annihilate the army and people there, and on the other hand secretly had large numbers of troops surrended to the Japanese invaders who then directed these troops to attack revolutionary bases behind the enemy lines. The struggle between the two lines had always existed on the literary and art front. Later Chou Yang and his gang went to Yenan under false colours and continued to propagate their reactionary bourgeois and revisionist thoughts on literature and art, and, in collusion with Trotskyites and reactionary literati, wrote counter-revolutionary articles under a revolutionary banner.
Access options available:. Foreign Language Press, Peking, Reviewed by :S. Subsequent thousands of artists have followed them and most modern revolutionaries have endeavored to claim this vital human enterprise for their cause. Mao-Tse-Tung is no exception. Nor does the completeness extend to every medium.
Talks at the Yenan Forum on Literature and Art. GO Type: Text; Format: application/pdf; Set: e-Asia Digital Library; Is Part Of: Selected Works of Mao Tse-tung.
You have been invited to this forum today to exchange ideas and examine the relationship between work in the literary and artistic fields and revolutionary work in general. Our aim is to ensure that revolutionary literature and art follow the correct path of development and provide better help to other revolutionary work in facilitating the overthrow of our national enemy and the accomplishment of the task of national liberation. In our struggle for the liberation of the Chinese people there are various fronts, among which there are the fronts of the pen and of the gun, the cultural and the military fronts. To defeat the enemy we must rely primarily on the army with guns.
Friday staff will provide a variety of activities, music and This class is designed for your entire family. I just don t want a job, but wish for a career to continue in future. Synchronic cultures have an entirely different perspective. A young architect ought to be made to build his own house first. Reznicek, Die Zeichnungen von Hendrick Goltzius 2 vols.
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You have been invited to this forum today to exchange ideas and examine the relationship between work in the literary and artistic fields and revolutionary work in.Reply